Mezzanine: ‘The album that still sounds like tomorrow’

massive attack mezzanine 20 year anniversary

Music writer Michael A. Gonzales penned a dynamite article celebrating the 20th-anniversary release of [easyazon_link identifier=”B00FMF3R76″ locale=”US” tag=”wells01-20″]Mezzanine[/easyazon_link] from UK band Massive Attack.

Mezzanine is an album best listened to loud, preferably on earphones, to properly hear the layers of weirdness and rhythms, a soulful sound collage that was miles away from the “Parklifes” and “Champagne Supernovas” of their Brit-pop contemporaries Blur and Oasis.

Along with the likes of fellow Bristol-based artists Portishead and Tricky, the band helped usher in an era of trip-hop. The trip-hop genre mashed hip-hop and electronica, adding layers of rock, soul, and dub. Mezzanine was therefore fresh and original, contrary to the DJ sampling on the group’s previous two albums [easyazon_link identifier=”B01L388UBI” locale=”US” tag=”wells01-20″]Blue Lines[/easyazon_link] and [easyazon_link identifier=”B000TEVJYS” locale=”US” tag=”wells01-20″]Protection[/easyazon_link].

The trip-hop label was bestowed on the group by the Brit journalist Jonathan Taylor to describe the trippy music that was simultaneously street and psychedelic. Trip-hop was a tag that, like jazz, was often rejected by the practitioners, but it fit perfectly.

Mezzanine contained 4 singles, each matched by a dark and intriguing music video (see below). It’s also worth mentioning that one of the three key band members, Robert Del Naja, is rumored to be street artist Banksy.

To celebrate the album’s 20th anniversary, the band decided to release the album in DNA format. 920,000 DNA strands make it the second-largest file ever stored in DNA. This is sure to make it forever timeless.


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Author: wells baum aka bombtune

A daily blogger who connects the dots between beats, culture, and technology.