Photographer Susan Ressler released a collection of black and white images capturing the corporate culture of Los Angeles in the 1970s. From the clunky computers to the banal office plant and male-dominated executives, she captures the industrial economy perfectly.
“Executive Order” depicts corporate America in the late 1970s, mostly in Los Angeles and the Mountain West. The sunbelt was exploding and so was corporate excess. Daylight Books is publishing this work in Spring 2018. Why 40 years later? Because now, in the era of Trump, we face the same dangers that ensue when corporations are deregulated and when profits “trump” people.
Her images are stark reminders of a culture that was and still is prevalent today.
Venezuelan photographer Ronaldo Schemidt won World Press Photo of the Year for his image of the “Burning Man.”
The picture shows a fleeing José Víctor Salazar Balza engulfed in flames at an anti-government protest in Venezuela on May 3, 2017.
“It all took just a few seconds, so I didn’t know what I was shooting,” Schemidt told the British Journal of Photography. “I was moved by instinct, it was very quick. I didn’t stop shooting until I realized what was going on. There was somebody on fire running towards me.”
The photographer currently resides in Mexico where he shoots football matches and more recently covered the Mexico City earthquake aftermath. Check out more images on the Getty website.
“There is a sense that words have slipped the leash. We think we’re expressing ourselves, but actually we’re just leaving a data imprint for someone else to make use of. Whether we write an email, a Facebook message, store content on a Google drive, or type out a text, all of what we write is sucked into a semantic web.”
“But you can push away from the photo of yourself: it was a younger you, you look different now. Words are different. They feel ever-present, always as if you’ve just said them. It’s harder to disentangle yourself. ‘You will pay for those words’ goes the banal phrase – no one ever says ‘you will pay for that photo’.”
If we are accountable for what we say, why write anything at all if it comes back to bite you? The durability of the written words appears to be riskier than ever.
“In the future, everyone will be world-famous for 15 minutes,” said Andy Warhol. That was certainly true for a broccoli tree in Sweden, whose anonymity disappeared due to its popular Instagram account with 30,000 fans.
In a world of surfeit images, people actually spent the time to look at this broccoli tree. It became a tourist attraction, even hosting its own photography exhibition. But according to a heartless individual, it may have overstayed its welcome. Someone suddenly sawed off one of its limbs.
“You can’t unsaw a tree, but you can’t unsee one either.”
The broccoli tree went desist, but its fame lives on through calendars, prints, and its Instagram feed. “To share something is to risk losing it,” especially in the era of social media.
It’s a harsh world for something that seemed already untouchable.
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Photojournalist Pascal Maitre has been capturing Africa for over 30 years. But “each story is like new,” he said an interview with The New York Times, “You must find a new solution, a new piece to make the story.”
It’s always refreshing to see Instagram users who are trying something different, who are using the platform to explore their creativity instead of posting endless food porn.
Not only are we drowning in photos, the conformity of images is ruining the art of photography.
But it doesn’t have to be this way. There are countless apps for editing your photos and videos to make them stand out from others in the feed. VSCO offers some unique filter capabilities but apps like Hyperspektiv and Photofox transform your photos into something unique by mixing elements of graphics and paint.
Adding interesting captions is another way to differentiate ourselves from the crowd. Tell people what the image is about or give a unique interpretation of what the eye can’t see. Even better, bewilder the viewer and keep them guessing. Like photos, all writing is in the edit.
Give everyone a camera and the stage, and they’ll exploit it just like everybody else. The upshot is a mass experience that mostly dulls expression. Scratch it up, discolor the frame; dare to be different.
“Dogs are our link to paradise. They don’t know evil or jealousy or discontent. To sit with a dog on a hillside on a glorious afternoon is to be back in Eden, where doing nothing was not boring–it was peace.”
Seminoles, Braves, Redskins — Indian culture permeates American life from sports teams to table-top advertising.
Upon entering the exhibit, there’s a sign titled Indians are everywhere in American life that reads:
“These images are worth a closer look. What if they are not trivial? What if they are instead symbols of great power? What if the stories they tell reveal a buried history — and a country forever fascinated, conflicted, and shaped by its relationship with American Indians?”
Did you know that Native American Ira Hayes was one of the six Marines raising the flag on Iwo Jima?