Artificial intelligence is like a brain without a body.
Instead of billions of neurons, computers contain bits and bytes of varying voltage levels so they can do stuff like provide directions, select and edit our best photos, or beat humans at chess.
Deep Blue beat Kasparov not by matching his insight and intuition but by overwhelming him with blind calculation. Thanks to years of exponential gains in processing speed, combined with steady improvements in the efficiency of search algorithms, the computer was able to comb through enough possible moves in short enough time to outduel the champion.
Nicholas Carr, A Brutal Intelligence: AI, Chess, and the Human Mind
Machines contain faster processors than human brains. Even the most effective Ritalin in the world would leave humans trailing behind its fellow instrument.
The irony, of course, is that AI is a factory of nothingness without human programming. Computers are ‘competent without comprehension,’ chugging along like a human does on automatic pilot.
If anything, we need to augment humans with machines. Thanks to Elon Musk, we’re nearly there.
We’re a brain chip away from the computer-powered brain, scampering closer to superhuman cyborgs.
Becoming the tools of our tools, the brain with a body comes back to finish the chess game first.
We are told to ship it; release it before it’s finished, get it out of our hands so we can get the feedback we need to iterate and perfect our product. It’s a grueling process that fires up the anxiety. Is this thing going to work or go out to the void?
Procrastination and mourning are tied tightly together: for to procrastinate is to mourn the precariousness of your creation even before you bring it into the world.
We are stuck between thinking and action, for which we have no choice but to finish what we started:
The procrastinator is both contemplator and man of action, which is the worst thing to be, and which is tearing him apart.
Procrastination is the purest form of idleness. And it is the brain’s neurons that dictate what we decide to do. “Who you are depends on what your neurons are up to, moment by moment,” says David Eagleman in his book The Brain: The Story of You.
So if neurons predict our fate but the mind is plastic, we should be setting up the entire system to prepare for better decision-making. For starters, we can make a list of the things we can control. But there will never be any guarantees that it’ll work. That’s where the habits and enthusiasm come in to help us overcome the fear.
More than a hundred years ago, the father of modern neuroscience, Santiago Ramón y Cajal demonstrated that information is the output of messy internal wiring provided by the brain’s chemical synchronicity.
Cajal was an artist trapped in a laboratory. He used his trained skills as an artist to draw masterful sketches of the brain. In doing so, he illustrated the neuron doctrine.
But where the Renaissance master goes sensual, macro, and dynamic, the Spaniard zeros in, mapping the miraculously microscopic using new methods of staining slide tissues that isolated single cells under the microscope. In this way, Cajal drew the newly visible synaptic networks of the brain and discovered a breakthrough that proved that neurons are in touch without touching. These results changed neuroscience. His work is still widely used as a teaching device.
He called the connection between the neural impulses synapses, the gaps between the neurons that allowed them to talk to each other. However, he couldn’t identify the synapses under the microscope like we can with 200X magnification today.
You can still walk across an invisible bridge even if you can’t physically see it there. All you need to know is that the magic is working.
Everyone should blog. You do not have to publish 500 words a day. You do not even need to post at all. In fact, writing comes easier when you can write for yourself, in private.
Use a smartphone journal like the Day One app or the ever-popular Morning Pages Journalwhere you write by hand. When it comes to blogging effectively, you have to be a little vulnerable. Don’t tell all but don’t hide everything either, especially if your advice will benefit the lives of other people.
Everyone should write a blog, every day, even if no one reads it. There’s countless reasons why it’s a good idea and I can’t think of one reason it’s a bad idea.”
I have been blogging for years (click here to view my guide to setting up a blog on WordPress). It is harder to get an audience who cares to read your stuff today than it has ever been. You have to assume nobody wants to read your shit because he or she is busy or would rather be social networking or playing games instead. However, for those readers who do read your blog frequently, they have subscribed for a reason.
It’s all about having a meaningful presence and how you work your way to make it happen, to leave a legacy behind, to share your thoughts and ideas others can learn from just like you do yourself with other people’s vs. pretending to be who you are not…Just be yourself with your own thoughts and share them along! It is what we all care for, eventually. The rest is just noise.”
No, blogging is not dead
People like to say blogging is dead. But not only are new platforms emerging like Medium, but blogging is just writing. Words will always be a powerful way to say something meaningful, whether it is in print, online, graffiti, or the walls of a cave.
I started this blog so I could show the world what interests me. It is no surprise that what you read here is information I learned from other blogs. In other words, blogging acts like a canvass where you synthesize, remix and interpret in your words.
Blogs are like hammers. They are tools for building stuff.”
Above all, blogging is free, what Seth Godin calls “the last great online bargain.” Blogging gives you a voice, and it is an excellent incentive to think in a world that just wants us to consume.
Blogging is a bicep curl for the brain. Write daily, and practice the art of conviction.
Use your blog to connect. Use it as you. Don’t “network” or “promote.” Just talk.”
Digital art is easier to create. Photoshop, Prisma filters — anyone can be an artist by throwing a filter on an image. People associate handwork with hard work over hardware and software.
To quote journalist David Carr: “show me what you’ve made with your own two dirty little hands. I don’t really care what you say, I want to see what you’ve done.”
Digital art gets overlooked for a few reasons:
Digital art is easier to create. Photoshop, Prisma filters — anyone can be an artist by throwing a filter on an image. People associate hand work with hard work over hardware and software. To quote journalist David Carr: “show me what you’ve made with your own two dirty little hands. I don’t really care what you say, I want to see what you’ve done.”
Digital art is replicable. Anything digitized has an inventory of one. MP3s crushed the music industry because the same file could be shared a million times over. The same goes for art, which gets reshared on social media on Twitter, Tumblr, Instagram, and Pinterest. Seeing the art on a screen rather than at a museum makes it feel less palpable. People like to touch things, or at least feel so.
Digital art is valueless. The auction houses put a premium on traditional art simply because it is scarce. Originals will always outsell copies. Would you rather own a piece Banksy drew with his bare hands or a copy?
“For decades, art and tech have done an awkward, fitful dance, never fully committing to each other”
But digital art is getting a deeper appreciation. Whether it’s 3D printed buildings, Pixar animation, or an Oculus Rift virtual reality film, art and technology are coming together to redefine the interpretation of art. Art is also getting more collaborative and remixed within a community of creators.
“Artists collaborate with a rotating cast of sparring partners all over the globe, not only other artists, but also writers, coders, fashion designers, electronica musicians, etc.”
Computers minimize the barrier to entry in creating art. The tool (your hand or mouse) and the palette (software) are at your disposal. In the words of John Culkin: “We become what we behold. We shape our tools and then our tools shape us.” What’s going to separate the amateurs from the professionals is how deep and deliberate the artist wants to do.
Digital art is blooming because it is evolving with technology, which is changing people’s tastes. Hand painting may always be pricier, but that does not make them more superior. The value is in the eye of the beholder.
Decisions are multi-faceted. They can be manifested as desires, little bets about how you want things to go. After all, all believing is betting.
However, you can also decide against your best wishes. No one wants to put a sick dog to sleep. Difficult decisions paralyze people’s judgment. “Sometimes it’s not what I want to do but what I ought to do,” admits the elder woman in the video from Andrew Norton.
Decisions can be murky too. In Spike Lee’s Do the Right Thing, is the ‘right thing’ to cause a ruckus or sit back and preach non-violence? Mookie the protagonist postpones his own anxiety, feeling action is necessary despite breaking the law. He deals with the consequences.
Sometimes the right answer comes about through experience–a mere function of your mistakes. That is, first you decide and then you deduce, analyzing the call after the fact. Decision-making is a skill, growing stronger with more deliberate practice.
“There is no more miserable human being than one in whom nothing is habitual but indecision, and for whom the lighting of every cigar, the drinking of every cup, the time of rising and going to bed every day, and the beginning of every bit of work, are subjects of express volitional deliberation.
In the words of Seth Godin: “You don’t need more time, you just need to decide.” You cannot afford to hesitate in a sea of doubt. Dance with fear or risk of living with regret. Indecision is still a decision or rather suspend doubt, DECIDE, and bear the responsibility.
That so-called ‘internet addiction’ you have is an evolution of what humans have been doing along — curating, collecting, and sharing. We just do it with more often with the assistance of our screens.
According to professor Kenneth Goldsmith at the University of Pennsylvania, “an educated person in the future will be a curious person who collects better artifacts. The ability to call up and use facts is the new education. How to tap them, how to use them.”
Professor Goldsmith named his course “Wasting Time on the Internet”– an incentive that gets his students to sign up. However, it has the opposite effect. Instead of screen-staring, his students are more likely to create and collaborate.
“They became more creative with each other. They say we’re less social; I think people on the web are being social all the time. They say we’re not reading; I think we’re reading all the time, just online.”
The web is the world’s biggest copy-paste machine. On top of this, Google is our second brain. The fear is that humans will lose their ability to think. However, what happens instead is that we allow more ideas to have sex. Remixing ideas is what Maria Popova of Brainpickings often refers to as “combinatorial creativity.”
“When a D.J. brings a laptop full of music samples to a club he doesn’t play an instrument, but we don’t argue that he isn’t doing something creative in mixing those sounds to create his own effect. In the online world the only thing you’re the master of is your collection, your archive, and how you use it, how you remix it. We become digital archivists, collecting and cataloging things. I find it exciting.”
It turns out that wasting time on the Internet could be productive rather than harmful. To think the Internet also means the end of books and face to face communication is also an exaggeration. Of course, like any tool, it depends on what you are using the Internet for — playing games is not the same as sharing research and new ideas.
What’s your opinion on learning in the Internet age? Tweet at me.