The duo from Maribou State is back with a new single entitled ‘Feel Good’ from the forthcoming album Kingdoms In Colour. Here’s an excerpt from the track’s review from Pop Bollocks:
There’s a sense of darkness that shimmers around the edges of melodic phrases. “Feel Good” arrives more as a note from a well-wisher, addressing a troubled friend. This isn’t a saccharine celebration. There’s a definite sense of issues that require negotiation There’s something to overcome before good times can be had.
The hookier elements of the track alternate between chopped-vocals, a guitar line, and a bass that doesn’t know where to quit. All aspects sound like a spotlight searching in darkness – shapes are found, discarded, and move ever-onwards. It’s great. At the centre of “Feel Good” lies a beat that breaks and undulates across the tune. The result is a groove that’s hard to deny.
Apparently, the new tune “OKRA” is a ‘throwaway song’ per the video’s YouTube page. Yet, it’s one of the best tracks I’ve heard this year. And the music video is equally delicious as the juicy bass and spit-filled rhymes.
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The greatest DJ of all time John Peel played his music before ‘breakcore’ existed as a recognized genre. Thom Yorke of Radiohead once called his music ‘menacing.’ He opened for Radiohead in 2001.
Christoph de Babalon AKA Jan-Christoph Wolter is an electronic music producer from Hamburg, Germany. His discography is exhaustive, but he hasn’t always produced dark, intense breakbeats. According to his profile, he withdrew from the music scene in 2001 to compose music for theater and dance before making a comeback in 2008.
Now back to basics, the 4-track Grim Zenith EP is refreshing as it is melancholic. The track ‘Could We Be?’ kicks off the record with a gloomy breakbeat against the nasty sub bass that bounces around the eardrums. Haunting but poetic. Grab the album on Bandcamp or Boomkat.
Shugo Tokumaru is a Japanese singer, songwriter, and multi-instrumentalist. He’s basically a one-man show.
But you don’t need to understand his native Japanese to dig his euphoric melodies, such as the jubilant track ‘Bricolage Music’ which pops and claps in a fidgety rhythm before breaking open to a balearic jam at the two-minute mark.
Compton-based rapper Buddy is back with some beats and rhymes on the 5-track EP entitled Ocean & Montana, a collaboration with Canadian producer Kaytranada.
Buddy originally signed to Pharrell Williams’ I Am Other label where he released the Idle Time album in 2014 along with his single ‘Awesome Awesome.’ But the label relationship fizzled out.
The partnership with Kaytranada is a better fit nonetheless. ‘Guillotine’ pairs Buddy’s smooth flow over some funky West Coast electronic vibes. This is certainly no come-back record; rather, Buddy is just getting started. And Kaytranada’s beats continue to get more interesting.
Slowthai is a rapper/producer from Northampton, England. His latest solo release slowitdown packs a serious punch of grime beats and lyrical jabs, most notably on the track ‘Wiseman’ which originally premiered on Boiler Room and played more recently on the Gilles Peterson show.
Hector Plimmer is an electronic producer from South London. His latest record, Sunshine, is an exploration of trippy synths and jazz drums. “It represents (in no particular order) my musical journey over the past 4 or so years, some of which may never have seen the light of day,” says the musician.
The opening track ‘Let’s Stay’ is a sublime mix of dreamy keys laced to a head-nodding drum kicks. It’s no surprise his influences range from Flying Lotus, Portishead, to Theo Parrish.
Flako is Dario Rojo Guerra, a Berlin-based producer known for his helter-skelter beats. I first discovered him in 2010 with his jaw-dropping Pharcyde sample on the track ‘Love.’
He’s since expanded his sound beyond hip-hop to include more live instruments and global soundscapes, paying tribute to his German-Chilean heritage. Now releasing music under his rebranded name Natureboy, Flako has done some reworks most notably with Malian Wassoulou Oumou Sangaré’s track ‘Yere Faga.’ A worthy listen.
Thrupence is Jack Vanzet, a multidisciplinary artist from Melbourne, Australia. In addition to graphic design and illustration expertise — his Instagram account is dope — he makes electronic beats.
After a long series of original mixtapes, he’s crafted a debut album called Ideas of Aesthetics. The nine-track album represents a collection of songs he’s produced over the last six years, including two collaborations with his brother Edward on vocals. “It has become a diary of places I’ve lived and people I’ve met over this time,” says the artist.
‘Forest On The Sun’ and ‘Rinse Repeat’ are my two favorite tracks on the album, mixing elements of soft piano and choppy electronic beats that’ll make you nod your head and smile 😉
STUFF is a five piece instrumental band from Antwerp, Belgium. ‘Strata’ is the first track from the band’s second album old dreams new planets due out April 28th.
The song vacillates from broken jazz before weaving into a funky, electronic jungle. Says the quintet’s SoundCloud page, “it makes you doubt whether you’re at a rave or at a fusion jazz concert in some late 80’s basement.”
Jazz visionary and French horn player Brother Ah aka Robert Northern presents the release of three unheard albums courtesy of Manufactured Recordings. Today, he runs a hit radio jazz show on WPFW (89.3 FM) in Washington D.C. while teaching his philosophy of “sound awareness” to anyone from the East Coast elites to 5-year-olds who enligthen him with fresh beats.