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Moderat “Bad Kingdom”

Combining bass + illustration, or “Pop and Club.”  

On Boomkat.

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silemdavis: Each track was re-worked from radically different first drafts, often starting life as more recognisable and structured songs before being dismantled into more abstract shapes: percussion degraded and layered, vocals fed through analog delays, samples reworked at the wrong speed and re-sampled to tape for added warmth: the narrative all mixed up. - Boomkat
silemdavis: Each track was re-worked from radically different first drafts, often starting life as more recognisable and structured songs before being dismantled into more abstract shapes: percussion degraded and layered, vocals fed through analog delays, samples reworked at the wrong speed and re-sampled to tape for added warmth: the narrative all mixed up. – Boomkat
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Just listen to ‘Locked’, which despite its palpable dubstep influence has a musicality and gentleness that wouldn’t have sounded out of place on an album like Rounds – Boomkat

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the same quietly anguished, crepuscular vibe reigns, and virtually every sonic element – from Burial-esque vocal clips to the synth pads, hell, even the drums – seems to sigh. – Boomkat

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Working with a battery of swingeing, scissoring polyrhythms, Mala lays down his signature, earthy subbass with incredibly infectious fervor, drawing deeply rooted connections between a spectrum of Afro-Latin and Afro-Carribbean flavours that simply makes the dance swiiiiiiing! – Boomkat