Writing about life and arts

The blurry black hole photo

In the New Republic, writer Matt Ford rightly argues why we should be in awe of the blurry photo of the black hole. It’s not about the picture as much as the effort in went in to capturing it. Context is king.

This level of cynicism is better understood as ignorance. The image itself might indeed seem unimpressive. But judging it as you would any other digital photograph, shorn of all context and understanding, would be shortsighted. One also has to consider the thought and labor behind its creation. The photograph might not depict the horror of galactic destruction as some expected, but it represents something even better.

In other words, the photo should not just be consumed and forgotten like every other piece of digital (re: social) media. The image of the black hole is an artifact.

Think about it: A group of mostly hairless primates, stranded on a rock circling a nuclear spark, used radio waves to photograph an invisible sun-eater so far away that a person would have to travel for 55 million years at the speed of light to reach it. It’s hard to not feel a frisson of awe at the scale of the feat. This context is vital to fully appreciating the image itself, in the same way that the Sistine Chapel’s ceiling is even more impressive when you know that Michelangelo spent three years of his adult life bent over backwards to paint it.

Read In Defense of the Blurry Black Hole Photo