Writing about life and arts

The vast but empty spaces of Andreas Gursky

The vast but empty spaces of Andreas Gursky

German photographer Andreas Gursky’s photograph “99 Cent II Diptych” (see above) was once the world’s most expensive photo.

In it, the Dusseldorf School photographer stitched together a two-part photograph (also called a ‘diptych’) of a vast but empty grocery store in Los Angeles.

Taking another contemporary digitally manipulated view of everyday objects, Gursky’s “Rhein II” sold for $4.3m at Christie’s New York in 2011 — the image became world’s most expensive photo to sell at an auction.

“I wasn’t interested in an unusual, possibly picturesque view of the Rhine… This view cannot be obtained in situ; a fictitious construction was required to provide an accurate image of a modern river,” recounts Andreas Gursky on the work.

The vast but empty spaces of Andreas Gursky
Photo: ‘Rhein II’ (1999, remastered 2014) © Andreas Gursky

However, I still dig the artifice projected in his 2017 high-speed train ride in Tokyo, where he merged multiple photos to give the picture a blurring, hyperreal effect.

Gursky’s “Bahrain I” which reconstructs myriad images of the Bahrain International Circuit racetrack is also one to marvel at — especially for the way its paint-like race-tracks enhance reality.

The vast but empty spaces of Andreas Gursky
Photo: ‘Tokyo’ © Andreas Gursky
Photo: ‘Bahrain I’ 2005 © Andreas Gursky

Regardless of his skill, Gursky tells his students that it’s only because of hours of practice and work that beget his radical intuition.

“People keep trying to find a matrix for the perfect image, but it’s intuition, it’s not something that can be taught.”

Andreas Gursky (via FT)

You can learn more about Gursky’s 2018 exhibition at London’s Hayward Gallery in the video below or right here.