Since the dawn of market society, owners and bosses have revelled in telling workers they were replaceable. Robots lend this centuries-old dynamic a troubling new twist: employers threaten employees with the specter of machine competition, shirking responsibility for their avaricious disposition through opportunistic appeals to tech determinism. A “jobless future” is inevitable, we are told, an irresistible outgrowth of innovation, the livelihood-devouring price of progress. (Sadly, the jobless future for the masses doesn’t resemble the jobless present of the 1 percent who live off dividends, interest, and rent, lifting nary a finger as their bank balances grow.)
I doubt the rise of technology obviates the need for human brains and hands. We are thinking machines while the automatons themselves excel in action, at least for the time being.
The bigger problem seems to be the perception of jobs. Most people allow work to justify their existence when really it's the things we do outside the office that should make us feel needed. There's more to life than a paycheck!
The machines are going to be there like they've been all along, helping people get their work done more efficiently. The bots versus brain chasm is a non-zero-sum game.
But if it just so happens that all we do is push buttons all day, perhaps it'll give us a chance to do other things like making better art.
It comes as no surprise that bad work begets good work — the more you create, the more you have to play with.
People mistakenly believe that successful artists excelled all along. But what you see as the viewer is mostly the result of trial and error.
What I enjoy about the internet is that you can show your work. Anyone can put their art out into the world and get immediate feedback, even if the latter is crickets. Dead silence may inspire you to be more expressive, in some cases, intensely provocative.
“It is a joy to behidden, and a disaster not to be found.”– D.W. Winnicott
It takes a lot of time and a ton of practice to recreate what you consider good taste. It also takes a lot of courage to be one of the crazy ones trying something new. But the artist can't combat convention until they master the basics first.
From emulation to originality, the entire creative process seems to happen slowly and shimmers when it thinks you're ready. Until then, cultivating talent is a game of inches.
Leonardo was a true Renaissance man, fascinated with everything — the mechanics of flight, architecture, engineering, botany, artillery and human anatomy — but one of his favorite private pastimes was to draw faces, either as scribbles in the margins of his notebooks or as fully conceived sketches later used for paintings.