It is those who are successful, in other words, who are most likely to be given the kinds of special opportunities that lead to further success. It’s the rich who get the biggest tax breaks. It’s the best students who get the best teaching and most attention. And it’s the biggest nine- and ten-year-olds who get the most coaching and practice. Success is the result of what sociologists like to call “accumulative advantage.” The professional hockey player starts out a little bit better than his peers. And that little difference leads to an opportunity that makes that difference a bit bigger, and that edge in turn leads to another opportunity, which makes the initially small difference bigger still—and on and on until the hockey player is a genuine outlier. But he didn’t start out an outlier. He started out just a little bit better.Malcolm Gladwell, Outliers
After a lifetime of hounding authors for advice, I’ve heard three truths from every mouth: (1) Writing is painful— it’s ‘fun’ only for novices, the very young, and hacks; (2) other than a few instances of luck, good work only comes through revision; (3) the best revisers often have reading habits that stretch back before the current age, which lends them a sense of history and raises their standards for quality.”THE ART OF MEMOIR BY MARY KARR
“Fear is good. Like self-doubt, fear is an indicator. Fear tells us what we have to do. Remember our rule of thumb: The more scared we are of a work or calling, the more sure we can be that we have to do it. The more fear we feel about a specific enterprise, the more certain we can be that that enterprise is important to us and to the growth of our soul. That’s why we feel so much resistance. If it meant nothing to us, there’d be no resistance.”The War of Art: Break Through the Blocks and Win Your Inner Creative Battles by Steven Pressfield
The writer feeds his book, he strengthens the parts of it which are weak, he protects it, but afterwards it is the book that grows, that designates its author’s tomb and defends it against the world’s clamour and for a while against oblivion.Marcel Proust, In Search of Lost Time
She ignored whatever did not interest her. With those blows she opened her days like a piñata. A hundred freedoms fell on her. She hitched free years to her lifespan like a kite tail. Everyone envied her the time she had, not noticing that they had equal time.Annie Dillard, The Maytrees
A wonderful perspective on life and work as we go into the New Year and new decade.
Imagine you are eighty years old – assuming you’re not eighty already, that is; if you are, you’ll have to pick an older age – and then complete the sentences ‘I wish I’d spent more time on…’ and ‘I wish I’d spent less time on…’. This turns out to be a surprisingly effective way to achieve mortality awareness in short order. Things fall into place. It becomes far easier to follow Lauren Tillinghast’s advice – to figure out what, specifically, you might do in order to focus on life’s flavours, so as to improve your chances of reaching death having lived life as fully and as deeply as possible.Oliver Burkeman, The Antidote: Happiness for People Who Can’t Stand Positive Thinking
These popup contraptions are extraordinary.
Writes the artist on her blog:
I published a pop-up book of mechanical paper tech.
Expanding out of This Book is a Planetarium’s pages, you’ll find: a stringed instrument, a perpetual calendar, a decoder ring, a spiralgraph drawing generator, a smartphone speaker, and—yes—a constellation-projecting planetarium. With a little tinkering, turning, and futzing: the resulting paper objects actually work! (despite of being made from “almost nothing.”)
The book was designed to showcase the potential of the material world—while making a case for the inherent educational value of lo-fi experiences
. Intheir clunky way of functioning, the past’s technology served this unacknowledged secondary function to humanity: These objects helped us glimpse—and therefore connect to —the magic of the physical world. By being glitchy and fussy (and by sometimes requiring manual tinkering or duct tape), lo-fi contraptions more transparently revealed the underlying laws of the world to us.
You can find out more about the book here.
If you want to live your life in a creative way, as an artist, you have to not look back too much. You have to be willing to take whatever you’ve done and whoever you were and throw them away. The more the outside world tries to reinforce an image of you, the harder it is to continue to be an artist, which is why a lot of times, artists have to say, “Bye. I have to go. I’m going crazy and I’m getting out of here.” And they go and hibernate somewhere. Maybe later they re-emerge a little differently.Steve Jobs, Steve Jobs by Walter Isaacson
“But really as I run, I don’t think much of anything worth mentioning. I just run. I run in a void. Or maybe I should put it the other way: I run in order to acquire a void… As I run I tell myself to think of a river. And clouds. But essentially I’m not thinking of a thing. All I do is keep on running in my own cozy, homemade void, my own nostalgic silence. And this is a pretty wonderful thing. No matter what anybody else says.”Haruki Murakami, What I Talk About When I Talk About Running: A Memoir
“I reached out for something to attach myself to—and I found nothing. But in reaching out, in the effort to grasp, to attach myself, left high and dry as I was, I nevertheless found something I had not looked for—myself. I found that what I had desired all my life was not to live—if what others are doing is called living—but to express myself. I realized that I had never had the least interest in living, but only in this which I am doing now, something which is parallel to life, of it at the same time, and beyond it. What is true interests me scarcely at all, nor even what is real; only that interests me which I imagine to be, that which I had stifled every day in order to live.”Henry Miller, Tropic of Capricorn