This week’s New Yorker cover is a doozy, from no other than artist Kadir Nelson. The magazine interviewed him about the work and why he prefers the slow process of oil painting in the digital age.
I love the oil medium. It’s timeless and has been used for hundreds of years. I want to create artwork that will live outside of the printed medium or the computer. I like to think that I’m creating fine art that happens to work as a cover for The New Yorker.
— Kadir Nelson’s ‘Summertime City’